AFTERWORD
The Spiritual
Avalon
In
Chapter 1, we explored the physical Avalon that was the Roman fort of
Burgh-By-Sands in Cumbria.
Here I wish to touch more upon the spiritual aspects of the apple tree
Otherworld.
We
human beings are obsessed with the effects of both linear and cyclic time. The
latter is experienced every year of our lives as we watch the endless march of
the hands of a clock, the ceaseless turning of the pages of a calendar, the
alternating of the seasons. Birthdays and anniversaries are celebrated to mark
what are judged to be important intervals of time. But we all know that for
everything in the universe, cyclic existence does end with death or
dissolution. As if to compensate for this, we invent scientific theories or
religious systems that seek to give time itself a definitive beginning and end.
Time thus becomes linear, passing distinctly from point A to point B. Yet we
grapple so poorly with the concept of an ultimate and irrevocable extinction of
being or consciousness that we ingeniously tag on a point C – an imagined
afterlife that is eternal in nature and free from the ravages of cyclic time.
In this afterlife we do not age and existence is inevitably paradisical.
The
pagan Celts also acknowledged the role of time in the cosmos, and they were not
immune to the same impulses that led to the formation of religious concepts
designed to facilitate the intellectual and emotional acceptance of seasonal
fluctuations and death. There is no evidence that the druids were in dread of
an eventual ‘end of the world’. Indeed, Strabo tells us that not only did they
deem souls to be eternal, but the universe itself was ‘indestructible’.
Classical writers claim that the druids subscribed both to a belief in
reincarnation and to that of an afterlife in the ‘infernal regions’ –
statements which would appear to contradict one another.
The
only evidence for reincarnation that I’ve found in the Celtic sources pertains
not to human beings, but to deities. For example, the goddess Etain Echraide is
reborn. Lleu is also ‘reborn’ by being transformed from the death-eagle back
into his ‘human’ form. This is the normal seasonal transformation of the
goddess and the god.
To
some extent the Classical authorities may have been confused by the Celtic
philosophy expressed beautifully in the Cad Godeu of Taliesin, the Irish Song
of Amairgen and the Voyage of Bran son of Febal:
“I
was a slender, enchanted sword – I
believe that is was done.
I
was rain-drops in the air, I was stars’ beam;
I
was a word in letters, I was a book in origin;
I
was lanterns of light for a year and a half;
I
was a bridge that stretched over sixty estuaries;
I
was a path, I was an eagle, I was a coracle in seas;
I
was a bubble in beer, I was a drop in a shower;
I
was a sword in hand, I was a shield in
battle.
I
was a string in a harp enchanted nine years, in the water as foam;
I
was a spark in fire, I was wood in a bonfire…”
(From
the Cad Godeu)
I
am Wind on Sea,
I
am Ocean-wave,
I
am Roar of Sea,
I
am Bull of Seven Fights,
I
am Vulture on Cliff,
I
am Dewdrop,
I
am Fairest of Flowers,
I
am Boar for Boldness,
I
am Salmon in Pool,
I
am Lake on Plain,
I
am a Mountain in a Man,
I
am a Word of Skill,
I
am the Point of a Weapon (that poureth forth combat),
I
am God who fashioneth Fire for a Head.
Who smootheth the ruggedness of a mountain?
Who is He who announceth the ages of the Moon? And who, the place where falleth
the sunset? Who calleth the cattle from the House of Tethys? On whom do the
cattle of Tethys smile?
Who
is the troop, who the god who fashioneth edges in a fortress of gangrene?
Enchantments
about a spear? Enchantments of Wind?
(From
the Song of Amairgen)
He
[Mongan] will be in the shape of every beast,
Both
on the azure sea and on land,
He
will be a dragon before hosts at the onset,
He
will be a wolf in every great forest.
He
will be a stag with horns of silver
In
the land where chariots are driven,
He
will be a speckled salmon in a full pool,
He
will be a seal, he will be a fair-white swan.
(From
the Voyage of Bran son of Febal)
In
these beautiful passages, the poets claim to have been all manner of things
other than themselves – even God! In other words, everything in the cosmos is
One and Dualism is an illusion. This is not the same as reincarnation, of
course.
As
was the case with Lleu in his oak, when Myrddin is said in the early Welsh
poetry to be at his apple tree we are being told he is in the sky. Before the
sun can enter the earth, it must cross the sky. Irish and British myth and
folklore is full of instances in which a hero must obtain or be given an apple
or apple branch before he can enter the Otherworld. This is why the Norse Eddas
place the sky-tree in front of the door of Valholl, the Viking paradise that
was located within the earth.
To
understand the function of the great barrow mounds is of paramount importance
in determining what exactly the ancient Celts believed happened after death.
Although erected as early as the Neolithic and so often predating the Celts, an
understanding of and reverence for the mounds is evident in Celtic literature
and folk beliefs.
These
great chambereds tombs were communal in nature. While it may be that only
royalty were deposited in them, it is possible commoners were as well, or that
commoners had their own less grand Otherworld portals. In any case, the more
important monuments have their entrance passages so aligned that the rays of
the rising or setting sun can only pass down the passage and strike the bodies
or cremated remains of persons deposited within the central chamber on or about
the winter or summer solstices.
The
idea was simple. When the dead person was touched by the rays of the sun, which
itself was in the process of dying and being reborn, his spirit became one with
the sun. Probably the spirit traveled up the light beams or, perhaps, the light
beams plucked up the soul and conveyed it to the source. By becoming part of
the sun at this instant, a dead person was reborn as the sun and partook of the
god’s immortality.
Christians
would be very uncomfortable with such a concept, but only because they continue
to deny that their own Christ was early on ‘solarized’, and that by
participating in Communion, where they consume the blood (light) and body (sun)
of their god, they are likewise seeking to share in his immortality by becoming
one with him.
We
may imagine the pagan Celtic conception of the afterlife as something like
this: a person dies and is taken to the tribal barrow mound. This ‘journey’ to
the mound was symbolically likened to the setting of the seasonally-slain sun
god into the earth. Once deposited with all due ritual in the barrow, his
spirit remains bound to his body until midwinter or midsummer, when it joins
with the sun to be reborn.
Similar
practices appear to have been engaged in at henge monuments, as archaeology has
provided us with indisputable proof that burial took place within banked
enclosures and stone circles. We even have examples of chambered tombs or cairns being enclosed by
circles, even if the two phases of construction did not coincide with one
another. As stone circles can have alignments for celestial objects other than
the sun – the moon, other planets, even stars – it is probable that souls could
join with any number of deities. A person’s birth-date, declared divine patron,
cause of death, circumstances surrounding that death and death-date may all
have been contributing factors that helped druids presiding at a person’s
funeral determine to which heavenly body the spirit should go.
In
the Appendix, which concerns itself with the ancient Irish tree alphabet called
the ogam, I will demonstrate that the current Celtic festivals of Imbolc
(February 1), Beltane (May 1), Lughnasadh (August 1) and Samhain (November 1)
were originally solstice and equinox festivals. The scholar Garrett Olmsted’s
work on the Gaulish Coligny calendar has proven that Beltane was once the
Summer Solstice (around June 21), Lughnasadh was the Autumn Equinox (around
September 21), Samhain was the Winter Solstice (around December 21) and Imbolc
was the Spring Equinox (around March 21).
These
four vitally important days of the solar year, that of the longest day (Summer
Solstice), the day ending summer when night and day are of even length (Autumn
Equinox), the shortest day of the year (Winter Solstice) and the day ending
winter when night and day are of even length (Spring Equinox), were those most
charged with supernatural power.
The
old view of the spirits of the dead as revellers inside the fairy hill must be
abandoned as a quaint fancy. Celtic feelings towards the Otherworld have always
been ambivalent; fear of the dark, cold grave resides side by side with poetic
visions of beautiful maidens, endless food and drink, and sprightly song.
Instead, dying was a much more profound experience. It was all about becoming
the god or goddess. The Otherworld, the earth, the barrow mound, although a
home to the celestial deities, was merely a stopping point for human spirits on
their way from mortal life to immortal life. When we worship Lleu the sun, we
also worship those spirits who have become Lleu.
The
myths hint at similar identifications of women with goddesses. The various
Sovereignty Goddesses who marry kings in the Irish and Welsh sources show that
such identifications could be made. As the Egyptian Pharoah could be a divine
human incarnation of the sun god, so could his queen be an incarnation of Isis
the moon goddess. Again, divinity of this nature may have been the prerogative
of the ruling elite. But it is possible that in more egalitarian societies, the
promise of joining the god in immortality was not restricted to royalty or even
to nobility.
Avalon
is not so much a place – although it could be localized in the human landscape
– as it is a state of divine existence. It is not an Otherworld of the souls of
the dead, but rather the home of those gods and goddesses with whom the spirits
have become joined with as One.
Avalon
is also a time or, more correctly, a season. For the apple tree not only stood
for the sky, but as my re-interpretation of the ogam alphabet will show, it was
the sky-tree of Summer. There were other trees that governed Summer as well,
and trees corresponding to the other seasons.
When
Arthur was taken to Avalon after his fall in battle at Camlan, he was buried at
the place of the apple tree. His journey to the Otherworld was the earthly
reflection of the journey of the summer sun across the sky. Once he had ‘set’
into the earth, he waited for the annual rebirth of the god. When that time
came, his spirit and the deity became one. Arthur became immortal, never to
experience anything other than eternal Summer.
For
it is only from our mortal perspective that Summer ends. The sun is always
attended by Summer. When the god moves south in Winter, he takes Summer with
him to the southern hemisphere. When he comes back to the northern hemisphere,
Summer returns. This is the story of the Holy Grail, whose disappearance brings
on the Waste Land, i.e. the dead land of Winter.
Only by achieving the Quest of the Grail and bringing the precious object back
to the North can the Waste
Land be healed by the
onset of Summer. And so for the god – and for the spirits who have become One
with him – the sky is always the apple tree.
Arthur
is indeed the Summer King.
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